“Dancehall is often condemned for its dramatic, violent and sexual expressions, ignoring the political implications of some acts and its value as a cultural manifestation,” says Lua Ribeira, whose series exploring British dancehall rituals, Noises in the Blood is now on show at London’s Fishbar Gallery
Commissioned to make new work in Barrow by Signal Film & Media, Felicity Hammond created a huge photo-collage installed on a four-metre light box, which is titled In Defence of Industry and emphasises the importance of the nuclear industry in the town. “I wanted to communicate the physical presence of the huge sheds where the submarines are built,” she says. “They dominate the town, almost towering over it.”
“They were unconscious: we undressed them and when the captain of the flight gave us…
“The White Man’s Hole is a work about the town of Coober Pedy, in the…
“The first time I was in Degtyarsk in 2012, I was mesmerised by this spectacle…
How to secure a country investigates the abstract concepts of border and security in one…
Simone Sapienza won the Undergraduate series prize at the Breakthrough Awards 2016 with an astonishingly…
At 11.41pm on 07 December 1988, a cold and snowy day, Armenia was struck by…
“The world has become a spectrum of grey. We drive silver cars. We wear black…
Frederik Buyckx has scooped Photographer of the Year at this year’s Sony World Photography Awards, with…
