Reading Time: 4 minutes Emerging Spanish photographers JD Valiente and Sole Satana headed to Semana Porcina in Lorca, to shoot a project they called Fiambre, “dead body”, on the pork products and pigs that they found there
Reading Time: 4 minutes “I’m reclaiming my blackness, which I feel is continuously performed by the privileged other,” says South African photographer Zanele Muholi. Born in 1972 in Umlazi, a township close to Durban, Muholi defines herself as a visual activist using photography to articulate contemporary identity politics. In her latest series, Somnyama Ngonyama: Hail the Dark Lioness, she uses her body to confront the politics of race and representation, questioning the way the black body is shown and perceived.
Reading Time: 4 minutes “When 9/11 happened, I was four, so obviously I didn’t really know what was going on. But in terms of now, of how Muslims are portrayed in the media, I think it’s a very one-sided story. We’re all terrorists, evil, who want to take over this country. I mean, thinking back now, I was only four, so all I’ve experienced is that this country hates me.” So says one of the sitters in Mahtab Hussain’s You Get Me?, a series of portraits shot over nine years in Birmingham, Nottingham and London. It shows young, working class, British Asian men, a group which has been negatively depicted in the media since 9/11 but which Hussain hopes to portray in a more nuanced way.
Reading Time: 4 minutes “I think politics affects every decision in daily life – it’s hard to remain on the sidelines,” says Musuk Nolte. “For me, photography is a visual element to work on these very complex issues. “With all the problems we have in our country, we have the responsibility to leave a visual document,” continues the photographer, who was born in Mexico in 1988 but is now a naturalised Peruvian.”I felt the desire to leave a document of what was going on, that it could serve as a visual and historical record. It was my way of relating to my country, but it’s important that this work also has an impact outside the community.”
Reading Time: 4 minutes When Mathias Depardon was released by the Turkish government on 09 June, he had been held in custody for 32 days. Detained on 08 May in Hasankeyf in South East Turkey, the French freelancer had been on his very first day of shooting on assignment for National Geographic. “It was my first day photographing the new settlement of Hasankeyf, 300km from Batman,” he explains, adding that he had been in the region for 10 days and was driving back from Gaziantep when he was stopped.
Reading Time: 4 minutes Shot in Japan over two years, Tokyo is Yours is inspired by manga, surrealism and film noir, and uses a gritty monochrome that Meg Hewitt first experimented with back in Sydney
Reading Time: 4 minutes “During the daytime people are so busy with their lives, but during the night they…
Reading Time: 4 minutes “It’s a story that starts at its end, in death. We have an evocation of…
Reading Time: 4 minutes “When I started researching the pornographic visuals, it hit me that there’s a clear formula in the way women are portrayed in them,” says Ina Jang. “I printed out some of the images, cut out the body figures and photographed them. From there, I kept making images with similar positions.”
Reading Time: 4 minutes Intrigued by the huge wooden towers torched every year in Northern Ireland, Polish photographer Mariusz Smiejek got to know the people involved in building them, and found divides still being enforced years after the Good Friday Agreement – and being handed on to the next generation