The curator, writer, and creative consultant picks out her top five of 2017 – including Jason Fulford’s Fake Newsroom, a contemporary spin on Larry Sultan and Mike Mandel’s 1983 performance

The curator, writer, and creative consultant picks out her top five of 2017 – including Jason Fulford’s Fake Newsroom, a contemporary spin on Larry Sultan and Mike Mandel’s 1983 performance
With a Lebanese-American mother and an Emirati father, Farah Al Qasimi has lived much of her life between the United States and Abu Dhabi, where she grew up. Now completing a Master of Fine Arts at Yale, she is still oscillating between her two home nations, and producing work that explores home, belonging, representation and clarity.