Reading Time: 3 minutes Part of the latest project from Fast Forward Women in Photography, Putting Ourselves in the Picture centres the lived experience of those working to build a home in the UK
Tag: Women in Photography
Reading Time: 2 minutes Now open at Perfect Exposure, LA, Our Black Experience presents a diverse set of work by women and non-binary photographers
Reading Time: < 1 minutes With Female in Focus 2021 in its final two weeks for entries, we have curated a Female in Focus x 1854 Presents mini-series spotlighting voices of leading women photographers and industry figures across the world.
Reading Time: 2 minutes Returning this autumn, the 2020 edition of Northern Ireland’s premier visual arts festival celebrates the age of the female gaze in both online and offline events
Reading Time: 3 minutes In her debut photobook, Some Kind of Heavenly Fire, Female in Focus winner Maria Lax straddles a blurred line between familiar and foreign
Reading Time: 4 minutes Having launched to international acclaim in 2019, Female in Focus is back to celebrate exceptional…
Reading Time: 6 minutes “A lot of people have thought of marking the centenary,” says Tracy Marshall, director of development and partnerships at Open Eye Gallery and co-director of Northern Narrative arts initiative. “But they just haven’t managed to do it.”
We’re talking about the 209 Women initiative, in which 209 photographers are taking portraits of the 209 women MPs in the UK parliament. It does seem like a project that was asking to happen, with 2018 marking both 100 years since (some) women got the vote here, and also the year that the first female MP was elected in this country. But, with 418 photographs and politicians to co-ordinate plus many, many other stakeholders and committees, actually achieving it has been quite a feat. What’s seen it through has been teamwork, with the photographer and academic Hilary Wood, who came up with the idea, getting together with hundreds of other women – and men – to make it happen.
“It’s been a huge collaborative effort,” she says. “We had to take it to the Speaker’s Advisory Committee on Works of Art to get it approved, and we then had to ask each MP individually if they wanted to get involved. The fact that they overwhelmingly gave their support shows how relevant this project is. And what I was really pleased about was that we got cross-party support – every single party is involved.”