Digital editor Diane Smyth sheds light on what she looks for when selecting feature-worthy projects.

Digital editor Diane Smyth sheds light on what she looks for when selecting feature-worthy projects.
Over the years he’s created a huge archive of images documenting ‘Britishness’, covering topics such…
That world exists, if you know where to look. Berlin-based photographer Karolin Klüppel’s pictures of…
Benjamin Whitley only completed his BA in photography at Camberwell College of Art last year, and…
Nikolas Ventourakis hit on the idea for Defining Lines while shooting in Cyprus, not far…
On average, a new patient arrives through the swinging doors of the Accident and Emergency…
“Istanbul is such a diverse place, so naturally the fashion world matches that,” says photojournalist…
At first glance, the spaces in Elizabeth Moran’s The Armoury resemble theatre stages. They are…
End of Ashes is Hua Weicheng’s third major project, but his first in colour. Originally interested…
Luisa Whitton first became interested in what she describes as “technology and its effects on…