Imagining the world’s end, the photographer’s latest project guides us through a spiritual narrative exploring India’s colonial past, landscape and elusive, ghostly characters.

Imagining the world’s end, the photographer’s latest project guides us through a spiritual narrative exploring India’s colonial past, landscape and elusive, ghostly characters.
The Japanese photographer searches for beauty in the everyday, a philosophy conversely inspired by tragic disasters.
Pietro Lo Casto explores social and environmental issues while touching on humanity, nature and spirits in his graduate project
A new exhibition at the Hayward Gallery, London, brings together major works by 38 international artists, and invites us to consider the essential roles that trees and forests play in our lives and psyches
Sofía López Mañán seeks to unravel the boundary between the natural and unnatural, questioning how humans perceive their environment through issues of animal trafficking and environmental conservation
As part of OpenWalls Arles 2020, we are highlighting photographers whose work is connected to…
What happens when you put a white flower in a vase of coloured water? It’s an experiment some of us might fondly remember from our childhood, magically transforming a bunch of flowers with a dash of food colouring.
But the results are a little more frightening in a similar experiment by French artist Cornelius de Bill Baboul, as his flowers suck the colour out of sugary energy drinks. “I think they look a little bit like dancers,” he says. “Like kids on ecstasy in a techno club celebrating the end of the world”.
Brant Slomovic leads a double life: he is both a photographer and accident and emergency doctor. A recent commission in California allowed him to reflect on his relationship with the former
To the people of Provence, the Mistral is a local menace. It regularly ruins weddings, steals hats and scarves with ease and, at its worst, this epic wind has the strength to sweep up metal chairs and smash them into neighbouring windows. Even so, says Rachel Cobb, “I think maybe they actually like it”. “What I feel is that it’s a source of pride among the Provincials, a way of defining the region,” she adds. “They can withstand it, and they’ve learned to live with it.”
Cobb’s new book, Mistral: The Legendary Wind of Provence, is a record of the 20 years she spent hunting the wind. She has holidayed in the south of France for 40 summers now and, though she has been victim to the perils of the strong gales, she’s also found it inspirational – as have many other artists and writers. “I’m energised by it,” she says. “At night, when you hear it stir, you can feel the energy in the air.”