Day photographed the spectacular performances of Stephen Varble and, in doing so, helped visualise a community “stigmatised for their gender nonconformity and sexual practice”
Tag: Gender studies
Ann Massal’s latest photobook presents her vision of beauty, blending images of rotten fruit with splatterings of nail polish, drawings of genitalia, and collages made from pornographic magazines
The World Press Photo Foundation has announced the six talents from Asia in its ongoing 6×6 Global Talent Program. Aimed at picking out under-recognised visual story-tellers from around the world, the 6×6 programme is now on its sixth and final region in its first cycle. The photographers picked out this time are: Amira Al-Sharif, Yemen; Azin Anvar Haghighi, Iran; Saumya Khandelwal, India; Senthil Kumaran Rajendran, India; Shahria Sharmin, Bangladesh; and Yan Cong, China.
The image-makers were recommended by an international group of over 100 nominators, and selected by a jury comprised of: Ammar Abd Rabbo (Syria), photographer and journalist; NayanTara Gurung Kakshapati (Nepal), photographer and curator; Claudia Hinterseer (Netherlands), senior video producer South China Morning Post; and Kazuma Obara (Japan), photographer.
“The Pink and Blue Projects were initiated by my five-year-old daughter, who loved the colour pink so much that she wanted to wear only pink clothes and play with only pink toys and objects,” writes JeongMee Yoon. “I discovered that my daughter’s case was not unusual.
“In the United States, South Korea and elsewhere, most young girls love pink clothing, accessories and toys. This phenomenon is widespread among children of various ethnic groups regardless of their cultural backgrounds. Perhaps it is the influence of pervasive commercial advertisements aimed at little girls and their parents, such as the universally popular Barbie and Hello Kitty merchandise that has developed into a modern trend. Girls train subconsciously and unconsciously to wear the colour pink in order to look feminine.”
BJP’s annual Cool + Noteworthy issue is back, presenting the people, places and projects that have caught our eye over the past year.
Among this year’s noteworthies is the photographer behind our cover story, Tyler Mitchell, who became the first black cover photographer of American Vogue when he shot Beyoncé for the September 2018 issue. He tells the BJP about his new-found mission since returning home after living in London: “I realised I have a responsibility to be, specifically, a black American photographer and filmmaker.”
We also spotlight Kensuke Koike, a Japanese collagist who gives new life to old photo albums. Koike has attracted a loyal following on Instagram with his savvy cut-and-move videos, making his latest book one of the most anticipated on 2018. Feng Li is another newcomer who has made waves in fashion photography over the past year. This issue we feature Li’s playful fashion shoot in his native Chengdu, a creative city on the rise in China.
As the apps we use become a bigger part of our daily routines, the line between our digital and real lives is increasingly blurred. “But there’s a tension point where privacy comes in which makes everything even more complicated,” says VICE editor in chief Ellis Jones. How much of ourselves do we share publicly and how do we decide which pieces to share? Which labels do we use to describe ourselves? And how do we avoid others imposing labels onto us? These are a few of the questions posed in “The Privacy and Perception Issue”, VICE’s annual photography magazine.
“Dancehall is often condemned for its dramatic, violent and sexual expressions, ignoring the political implications of some acts and its value as a cultural manifestation,” says Lua Ribeira, whose series exploring British dancehall rituals, Noises in the Blood is now on show at London’s Fishbar Gallery
Each January, London Art Fair dedicates exhibition space to photography, inviting a curator to select…
Transgender rights and representation has steadily built momentum over recent years, with public figures like…