After publishing Father with Aperture and exhibitions at The National Portrait Gallery and Foam, the Armenian American photographer looks ahead to her shows in Berlin and at Recontres D’Arles

After publishing Father with Aperture and exhibitions at The National Portrait Gallery and Foam, the Armenian American photographer looks ahead to her shows in Berlin and at Recontres D’Arles
If her images appear unsettling, that’s our own hang-ups, says Aneta Bartos, who photographed herself with her ageing father
Colin Pantall began photographing his daughter, Isabel, in the delivery room moments after she was born. From then on, “it was just constant”, he says. Previously, the pictures he took were architectural, environmental, sometimes historical; but becoming a father re-oriented him entirely. The transition wasn’t effortless. In the early days his experience of fatherhood was spiked with feelings of claustrophobia and intense anxiety – fear of Isabel’s death, fear of his own. A sense that he could easily become obsolete.