Photographer Paddy Summerfield speaks to FullBleed about remembering his parents through photography.
Tag: Documentary
Luke Richard’s project Under Black Sun reflects on the rise of far-right politics in contemporary Italy through the concept of the New Man – a form of idealised masculinity created by Mussolini during his reign as dictator, and propagated through various forms of meticulously controlled media. Appropriating the virile symbolism and values of Ancient Rome, the New Man model drew on Rome’s imperial history to whip up support for the New Italy that was to be delivered under a Fascist government – a pattern Richards believes resonates today.
FullBleed hear from photographers Gabriele Galimberti and Paolo Woods about the challenges of photographing different tax havens around the world.
The celebrated young fashion photographer opens a solo show in Huis Marseilles on 09 September, but was a BJP One to Watch back in January 2014. “On the one hand, he is quite at home documenting passers-by in the grade II-listed Preston Bus Station, the future of which hangs in the balance, or photographing a British polo contest at Cowdray Park, as he did for Man About Town,” wrote Gemma Padley. “On the other, he has shot campaigns for designers Céline and Marc Jacobs, and has been featured in magazines such as i-D and Paris Vogue. In light of this impressive CV, Hawkesworth’s ability to turn his hand to whatever comes his way seems to know no bounds.”
A psychotherapist for 15 years, Sian Davey switched careers to photography in 2014 and has made a success of it – she’s now represented by Michael Hoppen Gallery, for example, and her book Looking for Alice was nominated for the Aperture Best Book Award at Paris Photo 2016, and the Kraszna-Krausz Foundation Book Awards 2017.
We are happy to announce the three winners for this years Intrepid Film Photography Awards!
“The working class get it in the neck basically, they’re the bottom of the pile,” says Chris Killip. “I wanted to record people’s lives because I valued them. I wanted them to be remembered. If you take a photograph of someone they are immortalised, they’re there forever. For me that was important, that you’re acknowledging people’s lives, and also contextualising people’s lives,” says key British documentary photographer, Chris Killip
A 13-day coma, four brain haemorrhages, a fractured cheekbone, a broken collarbone, a broken humerus,…
Over the years he’s created a huge archive of images documenting ‘Britishness’, covering topics such…
That world exists, if you know where to look. Berlin-based photographer Karolin Klüppel’s pictures of…