Reading Time: 3 minutes This month, the director of Autograph ABP reflects on his life and career

Reading Time: 3 minutes This month, editor, publisher, and executive director at Aperture Foundation Chris Boot reflects on his life and career
Reading Time: 3 minutes The self-trained photographer moved to Liverpool in the late 1970s, gaining the moniker of the “photie man” as he obsessively recorded working- class life
Reading Time: 3 minutes Reconstructing scenes from everyday life and realising them as vast prints or lightbox images, the Vancouver-based artist is a pioneer
of conceptual photography – though he prefers “near documentary”. A key influence
on the Düsseldorf School, his work has been exhibited around the world. His latest show, at White Cube Mason’s Yard in London
until 07 September, presents new and recent photographs, including Recovery – a startling change of direction that echoes a “great moment in Western painting, defined by Seurat and Matisse, who revolutionised art with colour”
Reading Time: 4 minutes In this month’s Any Answers, genderqueer artist Del LaGrace Valcano reflects on photography, activism and parenthood
Reading Time: 3 minutes In RAF – No Evidence, shortlisted for the Deutsche Börse Photography Foundation Prize, Arwed Messmer…
Reading Time: 3 minutes An early pioneer of colour photography and digital printing, the 77-year-old is best known for his cinematic, light- strewn images of Morocco, Russia, the US and his native Belgium. Working across six decades, he’s produced many books, including the recent East/West and Edges, both published by Thames & Hudson
Reading Time: 3 minutes The Parisian curator Quentin Bajac has spent the past two decades working in three of the world’s leading cultural destinations – starting out at the Musée d’Orsay, he moved to Centre Pompidou, and then the most coveted post of all, chief curator of photography at MoMA in New York. Here he shares his insights into photography and life with BJP editorial director Simon Bainbridge
Reading Time: 3 minutes In our latest issue, Reframing History, we speak with Patrick Waterhouse about his project collaborating…
Reading Time: 3 minutes Starting out in his father’s carpentry workshop, Ken Grant first pursued his interest in photography through a two-year technical course, studying with unemployed shipyard labourers in the mid-1980s. He’s now a respected documentary photographer who also teaches at the Belfast School of Art; as his work on New Brighton goes on show alongside his early mentors Tom Wood and Martin Parr, and BJP caught up with him on his approach to pedagogy