Search Results for: Oliver Chanarin

Arles is urged to include more work by women

Reading Time: 5 minutes Les Rencontres d’Arles is the most prestigious photo festival in the world – that’s beyond question. But according to a high-profile group of photographers, curators, and writers, there’s still more that it could do. They’ve got together to sign a public letter to festival director Sam Stourdzé, which urges him to include more exhibitions by women in the main programme at Arles, and which was published in the French newspaper Libération on 03 September.

The letter is signed by influential industry figures such as Iwona Blazwick, director of the Whitechapel Gallery; Victor Burgin, Professor Emeritus of History of Consciousness, University of California, Santa Cruz, and Emeritus Millard Chair of Fine Art at Goldsmiths College, University of London; collectors Claire and James Hyman; and Olivier Richon, Professor of Photography, Royal College of Art, London, as well as photographers and artists such as Clare Strand, Sunil Gupta, and Anna Fox.

10 September 2018

Looking to the future at Unseen Amsterdam

Reading Time: 6 minutes It’s six years since the inaugural edition of Unseen Amsterdam arrived with the mission to shake up the art fair model, focusing on emerging photographers and collectors, and instilling a welcome dose of fun to proceedings. And despite its beginnings during difficult times for arts funding, the ‘fair with a festival flair’ has largely succeeded, developing into something more ambitious than a glorified trade show, with its own public programme and a city-wide celebration of the medium in one of the world’s great photography capitals.

The emphasis remains on championing new talent, and with this in mind, the latest addition to Unseen is Futures, a cross-European photography platform bringing together 10 cultural institutions from around the continent, each with their own talent programmes.

7 September 2018

Adam Broomberg & Oliver Chanarin: Bandage the Knife Not the Wound

Reading Time: 5 minutes In October 2017, Oliver Chanarin, a photographer professor at the University of Fine Arts in Hamburg, printed an archival photograph onto cardboard in his office, and left it on display for his job share partner Adam Broomberg. The next week, his colleague printed an image on top of the photograph. This exchange happened several times, ultimately creating unprompted photomontages. “I left a sample for Adam, as a little gift,” says Chanarin, who was born in London but grew up in South Africa as a child to South African parents. “That’s how it began; as a conversation in images printed on cardboard.”

22 August 2018

Arles: Archive and found photography sweeps the board in the 2018 Prix du Livre

Reading Time: 5 minutes Three winners and one special mention have been announced for the 2018 Prix du Livre at Rencontres d’Arles – and in all four cases, the books use archival or found photography. The Author Book Award went to Laurence Aëgerter’s Photographic Treatment, which is published by Dewi Lewis; the Historical book award went to The Pigeon Photographer, a collection of images by Julius Neubronner published by Rorhof; and – controversially – the Photo-text Book Award went to Adam Broomberg and Oliver Chanarin’s War Primer 2, which was first published by MACK in 2011 but reissued in paperback this year. A special mention went to Giorgio Di Noto’s The Iceberg in the Author Book Award, which is published by Édition Patrick Frey.

4 July 2018

Revealed! The photobooks in the running for the Arles Prix du Livre 2018

Reading Time: 8 minutes Photobooks have been booming for the last ten years or so but one prize has been there for the last 49 years – Les Prix du Livre at Arles, which was set up at the same time as the Rencontres d’Arles festival. With its long history and prestigious jury, which is this year overseen by FOAM director Marloes Krijnen, the Prix du Livre are some of the best-respected in photography.

Three Prix are up for grabs in three categories this year – the Historical Book Award, the Author Book Award, and the Photo-text Book Award, each of which come with a €6000 prize to be shared between the photographers and their publishers. The books are on show at Arles until 23 September, and the winners will be announced in the opening week.

2 July 2018

Obituary: David Goldblatt, photographer, 1930-2018

Reading Time: 21 minutes “I became interested in photography in the late 1940s and began to look at magazines such as Life, Look, and Picture Post,” David Goldblatt told Colin Pantall, writing for BJP in 2013. “In the early 1950s, I tried to become a magazine photographer. I sent my pictures to Picture Post and got rejected. Then, when the African National Congress became active in their struggle against apartheid, Tom Hopkinson, the editor of Picture Post, contacted me and asked if I could make something. So I went to an ANC meeting and photographed everything I saw. That was in 1952.

“I shot and I shot and I shot and then I realised that I was using a long roll of film – film that had failed to engage on the sprocket of the Leica I was using. It was an incredibly basic mistake. But the other thing I realised was that I wasn’t really interested in what was happening around me.

“After the ANC meeting, I discovered I had to understand what I was competent in and what I was interested in. That took some years to probe, until I could get to the underbelly of the society that underlay South Africa. And to understand it visually, I also had to get a grasp on the history of the country. So I did a degree, which included courses in English and economic history. This taught me how to think and understand what was happening around me.

“My father died in 1963. I was 32 with three children and a family, but I sold the shop [the family business] and, with a couple of Leicas and the capital to keep on going for a year, I became a full-time photographer.”

26 June 2018

Breaking Point at the Hamburg Triennial

Reading Time: 13 minutes The 18-year-old Hamburg Triennial will be directed for the second time by Polish curator Krzysztof Candrowicz, who moved to Hamburg four years ago and set about transforming the it, bringing people and institutions together, and determined to make it more relevant to the viewing public. The 2015 edition was, he says, “The first holistic attempt to create the collaborative framework of the festival. Before, the museums were basically highlighting their own exhibitions, but there was no actual curatorial collective structure.” The determinedly political and environmentally-conscious theme this year was inspired by an amalgamation of many factors, he says, including spending a year “away from structured, mechanised and commercial reality”, travelling around Latin America, Nepal and India. “Breaking Point became, for me, a metaphor for rapid and sometimes unexpected transformation on a personal and global level.”

23 May 2018

Luke Willis Thompson wins the Deutsche Börse

Reading Time: 4 minutes In July 2016, Diamond Reynolds’ partner was shot dead by a police officer during a traffic-stop in Minnesota. Reynolds used Facebook Live to broadcast the moments after the shooting, creating a video that became widely circulated, amassing over six million views, and which was also played to a jury as evidence in June 2017 – in a court case which saw the officer acquitted of all charges. In November 2016, Thompson invited Reynolds to collaborate on a project that would portray her in a different way to the original, publicly-consumed image. The resulting 35mm film, autoportrait, shows Reynolds apparently deep in thought and seemingly unaware of the camera, and is presented as a large-scale installation without a soundtrack. First exhibited in London’s Chisenhale Gallery in 2017, it’s been picked out of the winner of the £30,000 Deutsche Börse Photography Foundation Prize 2018, over the three other shortlisted artists – Mathieu Asselin, Rafal Milach, and Batia Suter.

17 May 2018

1000 Words 10 Years – the respected online photography magazine goes into print

Reading Time: 3 minutes Back in 2008, Facebook was just four years old, Twitter was just two years old, and the iphone had just been released. Instagram had not yet been invented. A decade is a long time in internet years, and yet one online photography magazine launched into this unpromising landscape has survived and thrived – 1000 Words. Set up and still run by  editor-in-chief, Tim Clark, it includes long-form essays, interviews, and reviews, and has included contributors such as David Campany, Susan Bright, Gerry Badger, Charlotte Cotton, Wolfgang Tillmans, Adam Broomberg and Oliver Chanarin, Vanessa Winship and Lieko Shiga. Now, to celebrate its 10th anniversary, Clark is publishing a special print edition, 1000 Words 10 Years, designed by respected photography and art specialist Sarah Boris and featuring newly-commissioned content. The annual will be 200 pages long, and will feature 10 portfolios from influential artists such as Jose Pedro Cortes, Laia Abril, Edmund Clark, and Esther Teichmann, as well as a series of photo-centric city guides, profiles on curators and collectors, opinion pieces on the art of photobook publishing, and reflections on a decade’s changes in photography. It will also include a selection of memorable and talked-about articles from the 1000 Words back catalogue.

20 March 2018