Armed with an antique camera, liquid silver, glass and cyanide, Boyd embarked on an emotional and historically loaded journey along the coast of Ireland, the Hebrides, and the Scottish Highlands
“The work in Topographies II stitches together a fictional place from multiple shooting trips – locations linked by light, heat and geology but separated physically by continents,” says Gough
Gap in the Hedge © Dan Wood. This article is printed in the latest issue…
31 August 2022