Growing up surrounded by oppression in a country where violent religious and ethnic clashes were commonplace and close at hand, Suryajaya was constrained by strict traditional and conservative values that condemned homosexuality. He needed to get out. He turned 18, alone, on a flight bound for the United States, leaving behind his family and his old life in Indonesia.
The ING Unseen Talent Award is one of the most generous prizes out there for young photographers, with a €10,000 fund to make new work up for grabs, plus mentoring from Nadav Kander and a group show at Unseen Amsterdam for all the finalists. This year, the five shortlisted artists are: Alexandra Lethbridge (b. 1987, UK); Tom Callemin (b. 1991, Belgium); Andrea Grützner (b. 1984, Germany); Robin Lopvet (b. 1990, France); and Stefanie Moshammer (b. 1988, Austria).
With the fast-rising fashion photographer picked out for BJP’s Ones to Watch issue, we’re posting an article we published on his striking fashion story back in May 2016 – showing Welsh sisters Kyra and Evie sporting high-fashion in the beautiful Welsh valleys
Khadija Saye’s mentor, Nicola Green, has set up the fund with Dave Lewis and Ingrid Swenson to help “young artists like Khadija to realise their potential” via study, informal training, internships or mentoring
Aged just 24, Khadija Saye died tragically young in the horrific fire in West London’s Grenfell Tower on 14 June – a tragedy which has cut short a life already touched by greatness. Having won a scholarship to the prestigious Rugby School at 16, Saye went on to study photography at UCA Farnham and was selected to show work alongside well-established artists such as Isaac Julien and Yinka Shonibare at the Diaspora Pavilion in Venice this summer. Here her colleagues and ex-tutors remember her
“I enjoy an incredible freedom in how I work, in what I photograph or when I do it,” the 20-year Magnum member tells BJP. “By signing that contract I had the feeling I would lose so much more than what I would gain.”
Magnum Photos is taking outside investment for the first time in its 70-year history, to allow it “to take advantage of new editorial and commercial opportunities afforded by digital technology”.
“Through putting together an image – either digitally and/or with scissors and paste, with or without text – people get to feel a sense of empowerment, an empowerment that communicates to the viewer, be it via a placard, a street poster, or an image on social media. The act of re-using existing images and re-presenting them through juxtaposition is inherently subversive, and showed up in the countless images of Theresa May that came thick and fast in direct response to the official election campaigning day-to-day.”
“The working class get it in the neck basically, they’re the bottom of the pile,” says Chris Killip. “I wanted to record people’s lives because I valued them. I wanted them to be remembered. If you take a photograph of someone they are immortalised, they’re there forever. For me that was important, that you’re acknowledging people’s lives, and also contextualising people’s lives,” says key British documentary photographer, Chris Killip
The V&A’s new Photography Centre will open in Autumn 2018, and the institution has now released a CGI render of what will be one of its showcase spaces – The Bern and Ronny Schwartz Gallery.
