“If you’ve been to Morocco I think you’ll understand that we’re a very colourful country, a colourful people. We see every colour being worn. In Morocco that there is the clash of colours and an attitude not to be scared of colours,” says Hassan Hajjaj. His latest exhibition, La Caravane, is about to launch at Somerset House, the first display for the British-Moroccan photographer in London in seven years. His work reflects on identity and culture, which has featured as a big part of his life and work since moving to the UK from a small port town in Morocco aged just 13.
With a career that spanned seven decades, Robert Delpire, who passed away on 26 September, will be remembered as one of photography’s biggest champions in the 20th century. Best-known for founding the Editions Delpire, which published the work of artists such as Cartier-Bresson, Doisneau and Robert Frank, he also co-founded the Jeu de Paume, set up the Fondation HCB, ran an advertising agency, art directed a magazine and much, much more.
“The exhibition just becomes this transition point. There will be new artwork created by the exhibition. I think that’s exciting: it means it becomes alive. These often tragic stories will continue living in other forms, whether through painting or through music, so it’s about making the exhibition a place of life and a celebration of that life,” says Giles Duley, the photographer who has spent months travelling Europe and the Middle East to document the refugee crisis with UNHCR. Taking images from his photobook, I Can Only Tell You What I See, the display will feature artists in residence, a soundscape from Massive Attack and will host an evening supper so as visitors can sit and discuss the work and the wider problems surrounding the refugee crisis.
“I meet people with more empathy and more care towards one another in war situations or in conflict around the world than I have ever experienced in Europe. People want to share the little they have with me because I have talked to them and shown an interest in them,” says Jan Grarup. His work has taken him to the sites of the worst conflicts – from obvious examples such as Iraq and Iran, to forgotten areas like the Central African Republic. Each place he visits, he stays to learn about the culture and customs of the people before taking their photographs. In these places of despair and destruction, Grarup often finds hope and resilience. But the Western world needs to be more active and share the responsibility to help these regions return to a peaceful existence.
“Before photographically-illustrated magazines or newspapers, before television and Facebook networks existed, in the first decade…
“What I experienced and witnessed in most families was a really strong sense of well-being and love towards each other, because it’s tough out there,” says Sian Davey, whose latest photoseries, Together, is about to go on display at the National Portrait Gallery in London ahead of an international tour. The photographer, who is already known for photographing her own family, was compelled to start a project that celebrated modern, diverse families after separating from her partner and seeing first hand how it affected her own family.
“I believe that the great strength photography has, and in particular documentary photography, is content. So much of what is published today, seems to me to be content less. I hope my photography illuminates and resonates with viewers and tells how British society was. And, of my more recent work, of how society is,” says Homer Sykes. he has been photographing British society for five decades, including major social and political events, such as The Battle of Lewisham. Now, some of his work is set to be featured in a Burberry show this month.
“The floor is covered with the plastic ammunition from the session that ended before I went in, one of the obstacles in the darkened corridor has a print out of a zombie figure used as target practice. The pillar has a splash of red paint to suggest blood.” Joe Pettet-Smith has gained access to a zombie apocalypse experience centre, where our fascination with the end of the world becomes a reality. What would you do if you were the last survivor?
Turkish photographer Çağdaş Erdoğan has been arrested in Istanbul according to his agency 140journos. The photographer, who was featured in the British Journal of Photography’s Ones to Watch list earlier this year, is thought to have been arrested whilst taking photographs in Istanbul’s central Kadikoy district