Reading Time: 3 minutes A new commission by WaterAid and 1854 will see Ngadi Smart explore Freetown’s complex water supply problems and what it’s young people are doing about it.
Tag: Sierra Leone
Reading Time: 3 minutes Born in Athens in 1960, Yannis Behrakis was inspired to take up photography after chancing across a Time-Life photobook as a young man. Going on to study photography in Athens and at Middlesex University in the UK, he starting work for Reuters in 1987, and by 1989 had been sent on his first foreign assignment – Muammar Gaddafi’s Libya, where he quickly made his name.
“He quickly displayed a knack for being in the right place at the right time,” reports Reuters’ site The Wider Image. “When Gaddafi visited a hotel where journalists had been cooped up for several days, a scrum of reporters crowded around the Libyan leader to get pictures and soundbites.
‘I somehow managed to sneak next to him and get some wide-angle shots,’ Behrakis wrote. ‘The next day my picture was all over the front pages of papers around the world.’”
Reading Time: 5 minutes The documentary photographer discusses the realities of shooting amid one of the world’s worst Ebola outbreaks in history
Reading Time: 5 minutes Alice Mann has won the Taylor Wessing Photographic Portrait Prize 2018 with a set of four images of South African drum majorettes – the first time the award has gone to a series not a single shot.
Mann’s photographs show five young girls from Cape Town dressed as ‘drummies’ – a popular hobby for children from some of South Africa’s most disadvantaged communities. Mann, who is now based in London but originally from South Africa, spent three months photographing drum majorettes, and says her winning portraits come from a much larger series.
“The images are part of a much larger body of work, which is a combination of a more documentary approach and portraits,” she explains. “These four portraits are some of my favourite images, especially the one of Riley and Wakiesha because they are so charismatic.
Reading Time: 6 minutes Renowned for her fearless coverage of conflicts, Addario reflects on the experience of documenting a silent epidemic of epic proportions