The American photographer’s new book, The Forgotten, trials a complex hierarchy of power between the sheltered, the remembered, and the forgotten
Tag: Rosalind Fox Solomon
Dawoud Bey, Jess T. Dugan, Rosalind Fox Solomon, Shahidul Alam, and Zadie Smith have been announced as the honourees of this year’s Infinity Awards, organised by The International Center of Photography (ICP) in New York.
American photographer Dawoud Bey will be presented with the Art award, Jess T. Dugan with Emerging Photographer, and Zadie Smith with Critical Writing and Research, for her piece in the New Yorker titled Deana Lawson’s Kingdom of Restored Glory. This year’s jury was composed of: Erin Barnett, director of exhibitions and collections, ICP; David Gonzalez, co-editor, Lens Blog; Kristen Joy Watts, editor of @design, Instagram; and Rhea L. Combs, curator of film and photography, National Museum of African American History and Culture.
Between 1930 and 1964, Liberty Theater was the name of a non-whites only cinema owned by Rosalind Fox Solomon’s family in Chattanooga, Tennessee. “There was an irony in the name. I chose Liberty Theater as the title of this book because of its multiple meanings,” she says. “In a broader context, the title relates to performance and pretence in the theatre of life.”
The photographs Liberty Theater collects together were taken through the 1970s to 90s in the southern United States, and have never before been published as a group. From Georgia to South California, through Mississippi, Tennessee and Louisiana, Solomon captured the complexity of race, class, and gender divisions.
“I had no idea that photography would change my life,” says Solomon, who began photographing when she was 48, after graduating from college, getting married and raising two children. In 1977 she moved to Washington DC, where her husband worked for the General Services Administration, and visited New York City to study privately with Lisette Model.