This fascination with the familiar isn’t a new phenomenon, says Phillip Prodger, head of photographs at the National Portrait Gallery and a former judge of the Taylor Wessing Photographic Portrait Prize. “We live in a world of the free exchange of imagery and social media and perhaps the photographs that once were considered more private aren’t considered so private anymore. I think people have been making those photographs all along but perhaps not sharing them in that way.”
Today we’re sharing another 10 photographers who choose their strongest photographs and tell us what it is…
And the revolution will be televised. Today, we announce the launch of the Intrepid Film Photography Award.…
British Journal of Photography caught up with Nadav Kander ahead of his appearance at The…
On Post-Production, Part 1: Klaus Pichler on bringing together analogue and digital techniques The first…
Portrait of Britain is inviting photographers to submit images that reflect the unique heritage and diversity…
Portrait of Britain is inviting photographers to submit images that reflect the unique heritage and diversity…
Portrait of Britain is inviting photographers to submit images that reflect the unique heritage and diversity of our country and show the face of modern Britain. 100 winning portraits will be selected for a public exhibition showcased nationwide in September 2016. We’re asking portrait photographers what goes into making the perfect portrait – this week we hear from London-based photographer Samuel Bradley.
He’s only 24, but English photographer Jack Davison is already carving out a promising career…
The Russian photographer Rudoi Vladimirovich won first prize in the Faces category with a portrait of…
