Since graduating from the documentary photography course at the University of South Wales last year, Lua Ribeira has gone from strength to strength. In addition to the Firecracker Grant, which she was awarded in 2015 while still a student, her work was recently selected by Susan Meiselas to appear in Raw View magazine’s Women Looking at Women issue. She is also making a name for herself commercially and with editorial clients such as Wired; her images have been shown at international festivals, including Photo España in 2014 and Gazebook Festival in 2015, and she has also been awarded a Jerwood Photoworks Grant for future projects in 2018. Thus far, Ribeira is best known for Noises in the Blood, an ongoing investigation into Jamaican dancehall culture,
Tag: Noises in the Blood
Magnum Photos just completed its annual AGM and has announced five new photographers are to join as Nominees – Rafal Milach (Poland), Sim Chi Yin (Singapore), Lua Ribeira (Spain), Gregory Halpern (USA), and Lindokuhle Sobekwa (South Africa).
Under Magnum’s system, photographers first join as Nominees, before graduating to become Associates a couple of years later. After a spell as Associates, they then become full Members – a status which confers life-time membership of the world-famous agency. Magnum has also announced that previous Nominees Sohrab Hura (India) and Lorenzo Meloni (Italy) have become Associates.
Inspired by personal identity, the natural world, and the fear of dying, the three young artists in this year’s Jerwood/Photoworks Awards exhibition are presenting very different work. Picked out as winners in January 2017, all three have received a year of mentoring on their work from industry specialists such as photographer Mitch Epstein, publisher Michael Mack, and gallerist Maureen Paley. They each also received a bursary of £5000 and access to a production fund of another £5000, to make new work which goes on show in London’s Jerwood Space from 17 January-11 March then tours to Bradford and Belfast.
“Dancehall is often condemned for its dramatic, violent and sexual expressions, ignoring the political implications of some acts and its value as a cultural manifestation,” says Lua Ribeira, whose series exploring British dancehall rituals, Noises in the Blood is now on show at London’s Fishbar Gallery
The emerging photographers each win £5000 to research a new project plus £5000 to develop it