London’s Hayward Gallery is reopening with a huge Andreas Gursky retrospective on 25 January, celebrating its 50th anniversary and its return after a comprehensive two-year refurbishment. The first major retrospective of the acclaimed German photographer in the UK, Andreas Gursky will include around 60 of images from the 1980s to the present day. Focusing on man-made structures and large gatherings of people. Gursky’s images draw attention to our changing relationship with the natural world, and chronicle the effects of globalisation on daily life; his subjects range from a crowded techno music festival in Germany (May Day IV, 2000/2014), to an underground water tank in the Kamioka Nucleon Decay Experiment in Japan (Kamiokande, 2007), in which a boat glides amid a gold-studded interior. “I only pursue one goal,” he has said, “the encyclopedia of life”.
100 works by legendary fashion and portrait photographer Louise Dahl-Wolfe are going on show at The Fashion and Textile Museum from 20 October-21 January 2018. A Style Of Her Own features over 100 photographs shot from 1931-59, celebrating work that helped define the image of the modern, independent woman, and inspired photographers such as Richard Avedon and Irving Penn. Born in San Francisco in 1895 to Norwegian parents, Dahl-Wolfe studied art history and design at the San Francisco Art Institute, taking up photography in 1921 and going professional in 1930 after meeting Edward Weston and Dorothea Lange. A leading contributor to Harper’s Bazaar between 1936 and 1958 (where she worked extensively with influential editor Carmel Snow, fashion director Diana Vreeland, and designer Alexey Brodovitch), Dahl-Wolfe is credited with having invented the idea of the ‘supermodel’, and creating distinctive styles for models such as Suzy Parker, Jean Patchett, Barbara Mullen, Mary Jane Russell and Evelyn Tripp. She is said to have kickstarted actress Lauren Bacall’s Hollywood career, after shooting her for a Bazaar cover in 1943.
The Portrait Issue returns this September just as The British Journal of Photography launches the return of Portrait of Britain, which will once again appear on digital JCDecaux screens across the country, in partnership with photography giant Nikon. Portraits have a rare capacity to capture a person, family and community in a way that reshapes a narrative or empowers an entire group of people. Each photoseries in this issue manages to shed new light on an individual or group and move beyond stereotypes to find a more honest truth – whether with a Roma group in the south of France, or a working class neighbourhood in The Netherlands.
“When I started researching the pornographic visuals, it hit me that there’s a clear formula in the way women are portrayed in them,” says Ina Jang. “I printed out some of the images, cut out the body figures and photographed them. From there, I kept making images with similar positions.”
When Josef Albers died in 1976, the Bauhaus teacher was famous for his Homage to…