Jamail’s new exhibition centres on the in-between — seemingly mundane everyday moments heavy with tension and unease

Jamail’s new exhibition centres on the in-between — seemingly mundane everyday moments heavy with tension and unease
Ekaterina Vasilyeva investigates the road between Saint Petersburg and Petergof in Russia, exploring the history of the land and her own identity in relation to it
Ahead of his first international solo show, the photographer behind popular YouTube channel Negative Feedback shares his story and the process behind his latest body of work
Mark Power reveals the first dispatch from his odyssey across the US to document the towns and landscapes of a country in flux, a decade-long project rooted in the influential work of his great American forebears of the 1930s
Using colour filters and items collected on the road, Delaney Allen disrupts the familiar tropes of American road trip photography
When Felicia Honkasalo’s grandfather passed away in 2009, he left behind boxes full of rocks and minerals, and stacks of notes, sketches, and fading photographs. “No one else in the family wanted them,” says Honkasalo, who never got the opportunity to meet her grandfather, “I was really intrigued by it all, but I didn’t really know what to do with it at first”.
Honkasalo’s debut book, Grey Cobalt, is an attempt to construct imagined memories of her grandfather, who was a metallurgist during the Cold War in Finland as well as an avid cosmologist. Published by Loose Joints, the book release accompanies an exhibition at the Webber Gallery in London, which will run till 15 February.
Winner of BJP’s Fractured Stories commission, Adam is currently based at the Preston New Road site working on an ongoing project
Clément Chapillon spent 10 days immersed in the Californian wilderness. The work he created embodies his journey as much as the people and places he encountered along the way
“Most people would walk by a dump pile and assume that there’s no picture there,” says global industrial landscape photographer Edward Burtynsky. “But there’s always a picture, you just have to go in there and find it.” Born in Canada in 1955, Burtynsky has been investigating human-altered landscapes in his artistic practice for over 35 years, capturing the sweeping views of nature altered by industry; from stone, to minerals, oil, transportation, and silicon. “Of course, it’s important to me to make sure that my pictures are attractive to the eye,” he says. “But beneath the surface there’s always a bigger, deeper environmental issue.”