Tag: India

In Paris: Vasantha Yogananthan goes into the wilderness with his latest book

The last time we spoke to Vasantha Yogananthan he was preparing to release chapter one of his hugely ambitious seven-part project A Myth of Two Souls. A project that he started in 2013 with his first trip to India, the collection is a photographic re-imagining of one of the most significant Hindu texts, the epic poem Ramayana. Dating back to the 4th century, the Ramayana still holds tremendous significance in India, with its allegorical, mythical stories helping convey concepts such as love, duty, violence, loyalty and divinity. Yogananthan had always been familiar with the Ramayana growing up – his Sri Lankan father told him stories from it during his youth in Grenoble, France, and he picked up comic book adaptations of it as a teenager. But it was only when he visited India that he realised just how interwoven the analogies presented in Ramayana are with the experience of everyday life on the subcontinent, and just how thin the line can be between mythology and reality.

9 November 2017

Sanne de Wilde, Arko Datto and Leonard Pongo join NOOR

NOOR, the prestigious photo agency and foundation, has signed up three new nominees – Sanne de Wilde, Arko Datto and Leonard Pongo. Hailing from Belgium, India and Belgium/DR Congo respectively, all three are known for their cutting-edge work, rooted in documentary but pushing the aesthetic boundaries of image-making. 

4 October 2017

BJP #7863: Invisible World

The September issue brings the otherwise invisible into sharp focus. Invisible World explores forgotten conflicts, intimate retreats, abused landscapes and remote islands to uncover the hidden realities and unknown societies behind ordinary backdrops. “As social beings, we all demand to be seen,” says Hoda Afshar, whose latest series, Behold, takes us to an exclusive male-only bathhouse. Her point resonates with all the photoseries explored in this issue: how do we negotiate our surroundings, how do we see our societies, how do we interpret our world? We need to first see the invisible to answer these ever salient questions.

1 August 2017