The French-born artist unmakes images, intervening in their materiality to expose racist, sexist and capitalist tropes and challenge dominant Western aesthetics – all while questioning her own gaze
The French-born artist unmakes images, intervening in their materiality to expose racist, sexist and capitalist tropes and challenge dominant Western aesthetics – all while questioning her own gaze
Known for his offbeat experiments with printing processes, Thomas Mailaender is an artist constantly pushing the limits of the medium. He’s worked with found images for 10 years and, as a consequence, tells me that: “I don’t think of myself as a photographer.” Often sourcing images from the internet, but equally happy to raid car boot fairs, flea markets, and charity shops, Mailaender says he is interested in “reproducing images rather than making them myself”. He is, he says, “a compulsive collector of photographs”.
When she was a teenager, Ohio-based artist Carmen Winant discovered a collection of photo albums…