Sasha Huber redresses seven portraits of enslaved individuals made in 1850, in an act of decolonisation and grace The work forms a stand against the racist scientist Louis Agassiz, who first commissioned the portraits. 20 January 2023
3 Sasha Huber redresses the haunting daguerreotypes of enslaved people in an act of healing colonial and historical traumas A decade of Huber’s work is presented at Autograph, London, in an exhibition that asks ‘who and what do we memorialise, and how?’ 10 November 2022