The four shortlisted artists will each receive £5,000 and their work will be exhibited at The Photographers’ Gallery, London. An overall winner will be announced in mid-2023
Tag: Bieke Depoorter
In a short film produced by Magnum in collaboration with BJP, four Magnum photographers discuss ways of seeing and the process of collaboration ahead of the opening of Close Enough: New Perspectives from 12 Women Photographers of Magnum at the ICP
Photobooks by women shine in the winning and shortlisted titles of this year’s Kraszna-Krausz Awards
An anthology of publication by women scoops the book award, recognising omissions in photobook history, and crucially the lack of access, support and funding for photographers of colour
From a photographer's vision of New York to a publication born out of the complicated…
15 June 2021
“To date, hardly any research has been conducted into Belgian photobooks,” opens the exhibition Photobook Belge, now on show at FOMU and published as a book by FOMU in partnership with Hannibal. “Photobook Belge provides an overview of the evolution of the Belgian photobook from the mid-19th century to today.”
Including nearly 250 publications, Photobook Belge is divided into eight chapters, looking at areas such as Artists’ Books, Belgian national identity, and the relationship between text and images. Belgium’s brutal colonisation of the Congo, its subsequent relationship with the country, and its often problematic representation of it in images, is given a whole chapter. “Many of the photobooks published since the 50th anniversary of [Congo’s] independence in 2010 oscillate between a more or less overt nostalgia, Afro-pessimism and an aesthetic of ruins,” states the curator Tamara Berghmans. “Most are still the result of a white, male gaze.”
“We do see that our industry is male-dominated, world-wide – though not within NOOR,” say…
“In Centralia, Poulomi Basu continues to focus her gaze on the interrelation between violence, state power, and gender,” says Monica Allende, member of the jury for the PHM grant. “By intertwining multilayered fictional narratives she aims to challenge the viewer’s perception of reality, as well as established neocolonialist histories. “In an era of post-truth and fake news, where we battle for control of “official” narratives, Basu’s work forces us to reflect on our own prejudices and educated preconceptions. Despite addressing such complex issues, the work is both illuminating and engaging – a testament to her innate ability as a documentarian. The result is a beautifully executed story which is thoroughly deserving of the winning grant.”
Running since 2013, the PHM Grant has a reputation for finding interesting new photographers such as Max Pinckers, Tomas van Houtryve, and Salvatore Vitale. Now the 35-strong shortlist for the 2018 has been announced, with the winners due to be announced on 08 May and four prizes up for grabs – a first, second and third in the main award, plus a New Generation Prize. Each winner gets a cash prize plus a publication on World Press Photo’s Witness, a projection at Cortona On The Move and at Just Another Photo Festival, and promotion via PHmuseum. The jury handing out the awards is made up of photography specialists – Genevieve Fussell, senior photo editor at The New Yorker; Roger Ballen, photographer and artist; Emilia Van Lynden, artistic director of Unseen; and Monica Allende, independent photo editor and cultural producer. The jury is able to give Honourable Mentions, up to six in the main prize, and up to three in the New Generation Prize.
Now in its 10th year, the Prix Levallois is one of the leading prizes for young photographers, and its latest list of 15 nominees includes Antoine Bruy, Bieke Depoorter, Michal Luczak, Leslie Moquin, Alexey Shlyk, and Maria Sturm & Cemre Yesil