Visa restrictions meant that for three years Ricardo Nagaoka was unable to return to his family and Japanese community in Paraguay. When he finally did, he found that his perspective had shifted

Visa restrictions meant that for three years Ricardo Nagaoka was unable to return to his family and Japanese community in Paraguay. When he finally did, he found that his perspective had shifted
The American photographer spent a decade documenting daily life in the same township in South Africa
Questioning the ethics of his own images from North Korea, the French photographer asks whether it is permissible to enjoy an image knowing that the beauty could be masking the suffering of a nation
Our July issue features Jack Davison, Aaron Schumann, Maisie Cousins, and Henry Wessel, among many others who remind us of why photographers do what they do
Thirty years since the Tiananmen Square massacre, Liu Heung Shing, the photojournalist who captured the transformation of China, reflects on his coverage of the protests and his wider body of work
From LA to London, Rome, Amsterdam and Tokyo, BJP-online’s new monthly feature presents a list of must-see exhibitions that close this month
Calle Tredici Martiri by Jason Koxvold is a fictional interpretation of his grandfather’s campaign against the Nazi occupation of Italy, fusing the past and present to explore the impossibility of photographic truth
Taking its title from a leaked CIA manual from the 1950s, George Selley’s collages – now the subject of a new photobook – tell a surreal story about leaked CIA documents, government propaganda, and bananas
When he found out about these documents, George Selley was instantly captivated, and his new project, A Study of Assassination, combines pages from the manual with archival press images, banana advertisements and Cold War propaganda. BJP caught up with the recent London College of Communication MA graduate to find out more about this project and his approach to images.
Using colour filters and items collected on the road, Delaney Allen disrupts the familiar tropes of American road trip photography