There’s something Biblical about the Dead Sea. Quite literally – passages and passages of scripture…
Month: July 2016
When Swedish photographer Alice Schoolcraft visited her relatives in America for the first time she…
As part of BJP Breakthrough, we hosted the Breakthrough Sessions at the Free Range graduate…
Introducing the X-T2, Fujifilm’s latest mirrorless camera, which will sit alongside the X-Pro2 as the…
“I don’t think there’s any such thing as teaching people photography, other than influencing them…
“I’ve spent a lifetime tidying up the world”, Brian Griffin tells us when we meet…
Assembling thirty photographs by Dolores Marat, all dealing with the animal kingdom, the exhibition at Arles’ FLAIR Galerie consists of Fresson prints, a rare printing process befitting “the oneiric quality of Marat’s work.”
Into the Woods, a new exhibition by young British photographer Ellie Davies, show photographs created over the past seven years in the forests of the UK, exploring the complex interrelationships between the landscape and the individual.
Stuart Hall first visited the Tar Sands in Fort McMurray, Canada in 2011 and tries to return almost every year since to capture what he terms the Giga-project – the largest industrial project in human history. The process of extracting the bitumen is, according to environmentalists, the world’s most damaging activity. The scale is so enormous that the wound can be seen from space. The oil embedded in the sand lies under 140,000 km2 of forests, equivalent to the size of England. Hall tells BJP how the series was created, and his own pathway into photography.