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Tag: VII

Prin Rodriguez on creating a new vision of Peru

Reading Time: 5 minutes Growing up in Peru in a large family “with limited resources”, photography didn’t figure large in Prin Rodriguez’s childhood. In fact her family only got its first camera – a pocket digital camera – when she was finishing secondary school, and was initially firmly against it when Rodrigeuz said she wanted to study photography. “They had the conviction that university education was a way of moving up the social ladder, and that photography did not offer any certainty of this,” she tells BJP. “For my family to have a camera was almost a luxury.”

Despite this Rodriguez persisted, and is now building a successful career in image-making. She’s currently taking part in the VII workshop in Poland, one of only 20 photographers to have been invited to join, and the only one from the whole of Latin America. Her work was recently published on the PHmuseum website, and she has co-founded the Pariacaca collective with fellow photographer Monarca Criollo. 

Her Take: (Re)thinking Masculinity

Reading Time: 7 minutes Last year, VII Photo Agency invited six women to join its collective. With seven female members in total, “the seven of VII” quickly became a phrase that stuck. After numerous email exchanges, and a big discussion at the annual general meeting in Barcelona in March, the seven of VII are now staging a group exhibition together – Her Take: (Re)thinking Masculinity, which opens at Photoville in Brooklyn, New York on 13 September.

The exhibition is made up of seven separate projects, each exploring the topic of masculinity. “The exhibition is a conversation, and it’s a conversation that we want to have with both women and men,” explains Sara Terry, whose project recreates Manet’s famous painting, Le Déjeuner sur l’herbe, with a naked man replacing the female nude.

Sim Chi Yin investigates the Fallout

Reading Time: 14 minutes It’s disconcerting to think how years of work and effort, of countless hours spent practising and honing a skill, can be wrenched away from any of us in just a few minutes of misfortune. It’s also, for any of us used to good health, troubling to consider how reliant we are on the basic functionality of our bodies. A photographer, for example, needs to be able to hold a camera, to have the strength to frame a shot and time the click of the shutter in the heat of the moment. Shorn of that basic ability, what are we left with? Early one morning in May 2015, Sim had to face that exact question.

She was on assignment for a French newspaper, travelling to the Tumen Economic Development Zone, a government-owned complex of Chinese factories on the edge of the border with North Korea. Tumen employed North Korean labourers who, with state sanctioning, would be sent to live and work in the economic zone. The brief was to capture how North Korea and China trade. This place seemed like the perfect microcosm for that complex relationship – the makings of great pictures.

Entering Tumen with her driver and colleagues from Le Monde, she failed to spot a sign that read: “No smoking, photography, or practising driving”. As they approached the factories, the car passed a small group of women in black jumpsuits, knelt by the roadside picking weeds from the ground. Sitting in the driver’s seat with the window wound down, Sim instinctively raised her camera and fired off a couple of shots. “Almost immediately, the women turned around, ran towards the cab, and reached into the car,” she wrote in an article for ChinaFile, recounting events.

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