Reading Time: 6 minutes Publications we loved, and the big news stories from the last month in photobooks – featuring work by Peng Ke, Tom Wood, Paul Reas, Vivian Maier and the post-war PROVOKE group
Tag: Paul Reas
Reading Time: 9 minutes If you don’t get the reference, it’s a curious title for a photobook – Fables of Faubus, the 30-year retrospective by British documentary photographer Paul Reas. But if you’re a jazz fan you’ll know it’s taken from a song by Charles Mingus, written after Arkansas governor Orval Faubus decided to bar the integration of Little Rock Central High School in 1957.
To Mingus, and many others, Faubus stood for a dark force holding back progressive social change. For Reas, the title suggests the metanarrative that runs behind the many stories he’s shot in the UK on heavy industry, consumer culture, the heritage industry, and more – namely, the disenfranchisement of the British working class, “the years of decline of industry and the fall out from that, communities being de-centred and levelled”.
Reading Time: 5 minutes James Hyman Gallery opened in 1999, aspiring to deal in museum quality fine art of…
Reading Time: 2 minutes “The culture and mythology of Bigfoot is something that has always interested me growing up…
Reading Time: 9 minutes For over four decades, the documentary photography course has forged a reputation as one of the UK’s leading photography teaching destinations. In fact, the very first photography class can be dated back even further to 1912, when it was introduced by the head of the school of art at Newport Technical Institute. The course, however, was set up in 1973 by Magnum photographer David Hurn as a 12-month Training Opportunities Scheme to ‘re-skill’ miners and steelworkers.
Reading Time: 4 minutes In our third annual edition focusing on photography education, BJP visits schools around the world to discover what it takes to “see photographically”. From one of the oldest photography schools in the UK, to pioneering institutions in Germany and Denmark, tutors stress the need to appreciate the mechanics of a photograph – light, shape, space and perspective. “Our bodies learn to adapt to the camera that is shaping our experience,” explains Thomas Sandberg, photographer and co-founder of the Ostkreuz School for Photography in Berlin.