Stakle recently won the New East Photo Prize organised by Calvert 22 Foundation, with a series titled Heavy Waters. Shot in Crimea in 2011, the series shows towns and villages scattered along the coast on the Crimean Peninsula – an area that was at the time part of Ukraine, but which became part of Russia after the Ukraine-Russia crisis in 2014. To date, Crimea remains an internationally unrecognised part of Russia. Crimea was one of the most popular resorts of the Soviet Union but, says Stakle, “being on the crossroads of trade routes has always been risky”. “Since times immemorial, the Crimean Peninsula has been coveted by different countries, near and far,” he writes in his introduction to the series.
Tag: Arles
Founded in 2015 by Chinese photographer RongRong (who also also founded China’s first photography museum, Three Shadows Photography Art Centre) with Sam Stourdzé, director of Rencontres d’Arles, the Jimei x Arles International Photo Festival is the biggest of its kind in China. It returns this November with 30 exhibitions by over 70 artists, including shows brought over from Arles and exhibitions devoted to emerging Chinese image-makers.
The Jimei x Arles Discovery Award nominees features work by ten new Chinese photographers, for example – with one image-maker selected from the show to win 200,000 RMB plus a place in Arles’ prestigious Discovery Awards. This year the nominees are: Coca Dai (1976), Hu Wei (1989), Lei Lei (1985), Pixy Liao (1979), Lau Wai (1982), Shao Ruilu (1993), Shen Wei (1977), Su Jiehao (1988), Wong Wingsang (1990), and Yang Wenbin (1996)
Les Rencontres d’Arles is the most prestigious photo festival in the world – that’s beyond question. But according to a high-profile group of photographers, curators, and writers, there’s still more that it could do. They’ve got together to sign a public letter to festival director Sam Stourdzé, which urges him to include more exhibitions by women in the main programme at Arles, and which was published in the French newspaper Libération on 03 September.
The letter is signed by influential industry figures such as Iwona Blazwick, director of the Whitechapel Gallery; Victor Burgin, Professor Emeritus of History of Consciousness, University of California, Santa Cruz, and Emeritus Millard Chair of Fine Art at Goldsmiths College, University of London; collectors Claire and James Hyman; and Olivier Richon, Professor of Photography, Royal College of Art, London, as well as photographers and artists such as Clare Strand, Sunil Gupta, and Anna Fox.
Gustavo Tavares has spent many years exploring the arctic, photographing the landscapes as a way…
Christopher Bethell’s work comes from a desire to explore his identity, making his personal reflections…
Nicholas White is based on Dartmoor National Park, where he pursues projects that examine our relationship…
Rome-based photographer Francesca Pompei is our first OpenWalls Editor’s Pick photographer, having been selected by…
Our very first OpenWalls exhibition is now on show in Arles, featuring 50 works chosen to…
When Polish photographer Wiktoria Wojciechowska first heard about the ongoing Ukrainian conflict she was in China, shooting a project titled Short Flashes, which went on to win the 2015 Leica Oskar Barnack Newcomer Award. “I was cracking the internet but everything was so blocked I couldn’t get any information,” she says. “I was asking all my friends, then I realised not many people knew about it, even though it’s so close [as Ukraine borders Poland]. I was really inspired to go by fear, by wondering how I would react if the same thing happened in my country.”
Paulien Oltheten has won the Arles New Discovery Award with her series La Défense, le regard qui s’essaye. Rencontres d’Arles will now buy €15,000 of her work, and add it to the festival collection.
La Défense, le regard qui s’essaye encompasses a video essay, a photo series, and a collection of objects, and was shot mainly in the La Défense financial district in Paris. Recording people going about their everyday lives, the series creates imaginary links between them, adding a fictional element to a documentary project, and a layer of poetry to the otherwise unremarkable. Born in 1982 in Nijmegen, Netherlands, Oltheten studied at the Rijksakademie in Amsterdam, and is now based in Amsterdam and Paris.
Oltheten was selected from the ten photographers who made it into the Arles New Discovery Award exhibition this year – Sinzo Aanza, Monica Alcazar-Duarte, Christto & Andrew, Anne Golas, Chandan Gomes, Thomas Hauser, Anton Roland Laub, Ali Mobasser, Feng Li, Aurore Valade, and Wiktoria Wojciechowska.