From LA to London, Rome, Amsterdam and Tokyo, BJP-online’s new monthly feature presents a list of must-see exhibitions that close this month
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Calle Tredici Martiri by Jason Koxvold is a fictional interpretation of his grandfather’s campaign against the Nazi occupation of Italy, fusing the past and present to explore the impossibility of photographic truth
Sara Fiorino’s conceptual images explore how preconceptions relating to gender, race and class can influence our sense of identity, social agency and domestic space
On the event of Photo London, BJP-online presents a round-up of exhibitions taking place in London this weekend
The Magnum photographer has been awarded £30,000 for Mediations, the most comprehensive European retrospective of her work to date
In 2016, Maxim Marmur was commissioned by the Siberian Coal Energy Company to photograph more…
Over 10 days, Paolo Pellegrin and Kosuke Okahara produced a live display of their process from a pop-up studio in Kyoto, Japan
Federico Borella has been named Photographer of the Year at the 2019 Sony World Photography Awards, winning the $25,000 prize for his series Five Degrees – a look at male suicide in the farming community of Tamil Nadu, Southern India, which is facing its worst drought in 140 years. The Italian photographer’s work takes its lead from a Berkeley University study, which found a correlation between climate change and increased suicide rates among Indian farmers, and explores the impact of both via images of the farming landscape, mementoes of the farmers, and portraits of their survivors.
“As global warming changes the face of life ever more rapidly – particularly in developing and underdeveloped nations – the work of artists such as Borella becomes ever more needed,” commented Mike Trow, chair of the professional jury. He added that this year’s submissions “provoked a lot of debate and interest amongst the jury” with works “pushing the boundaries of photography and challenging the perceptions and expectations the audience”.
Cigarettes are considered the most marketed consumer product in history. And yet, beyond the normalised…
“Ideally a [World Press Photo] Picture of the Year would be surprising, unique, relevant, memorable,” says Whitney C. Johnson, vice president, Visuals and Immersive Experiences, at National Geographic, and jury chair for World Press Photo’s 2019 contest.
This year John Moore has won that top spot, with an image showing Honduran toddler Yanela Sanchez crying as she and her mother, Sandra Sanchez, were taken into custody by US border officials in McAllen, Texas, USA, on 12 June 2018.
This year World Press Photo also added a Story of the Year to its awards, and that prize has also been won by a project on immigration, which was shot by Sweden-based, Dutch photographer Pieter Ten Hoppen. His series shows people travelling with the largest migrant caravan in recent history, which left San Pedro Sula, Honduras on 12 October and gathered as many as 7000 people on its way to the USA, according to UN agencies – including at least 2300 children. Shot in soft colours, it focuses in on individuals in the caravan, and moments of beauty in their lives.