Abstract forms, vivid colours, and unexpected motifs thread through Davison’s exploration of the Miao in Song Flowers — his second photobook published by Loose Joints, in collaboration with fashion house Marni

Abstract forms, vivid colours, and unexpected motifs thread through Davison’s exploration of the Miao in Song Flowers — his second photobook published by Loose Joints, in collaboration with fashion house Marni
This Mental Health Awareness Week, Day discusses Seesaw — an ongoing series created in response to her experiences of OCD during and before the pandemic, and the emotional ups-and-downs experienced by society at large during this time
Caroline Tompkins reflects on the subject of the body in her work — its representation, and how the complex relationship she has with her own body informs it
Postcards from Qurantine combines photographs with text messages from individuals around the world to evoke feelings, moods, and realities that resonate now
The annual photo fair originally scheduled to open this weekend at Somerset House, London, unveils its new venue at Gray’s Inn Gardens, where it will run from 07 to 11 October 2020
Chanarin was poised to embark on a photographic survey of Britain for an installation at SFMOMA, however, confined to his apartment, the artist turned his lens on his partner Fiona Jane Burgess instead. Inspired by August Sander’s photograph the Painter’s Wife, Chanarin has made hundreds of portraits of Burgess at home during lockdown
Uzochukwu reflects on the subject of the body within his work, and beyond it, at a time when the bodies of others feel more distant than ever, and our own bodies have become emblems of illness and danger
Robbie Lawrence, Senta Simond, Chad Moore, Matthew Morrocco, and others, reflect on the experience of intimacy amid the current crisis — the second in a series of articles inviting artists to respond to a theme with image and text
In 2007, Subotzky and Patrick Waterhouse began a six-year project about the infamous Johannesburg skyscraper. Now, a new addition to the work focuses on its dystopian core — an almost 200-metre long abyss running up its centre