Reading Time: 3 minutes Tom Hunter’s best-known shot shows a young woman in a squat reading a possession order; taken in Hunter’s home in the 1990s, the portrait’s colour and composition evoke Vermeer’s A Girl Reading At An Open Window. His new series, Figures in a Landscape, is a similar combination of personal and the cultural, which takes the viewer “through a world imbued with myths and legends”.
Starting in Dorset, in the village where Hunter grew up, the series tracks past standing stones and megalithic chalk figures in the countryside and the dinosaurs in London’s Crystal Palace park, and ends up in Hackney, Hunter’s base for the last 20 years, and once home to Lugus, the Celtic god of the River Lea. The last shot was taken at Winterville where, says Hunter “the mid-winter solstice pagan festival becomes distorted in an Olympian mountain top landscape. Here ancient and contemporary narratives clash and shatter into a dystopian consumerist nightmare”.
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